Friday, February 4, 2022

kheper-i kheper kheperu kheper-kuy m kheperu n Khepri kheper m sep tepy...

“I became, and the becoming became. I became by becoming the form of Khepra, god of transformations, who came into being in the First Time. Through me all transformations were enacted.”






Mechanism of action of the method
A characteristic feature of the living world is its ability to record information about the conditions prevailing in the outside world. It can process information in its specific tissues and develop a biologically appropriate response to it for life support.
A specifically differentiated tissue and organ system serves this task: the nervous system and the senses. The senses are merely higher concentrations of receptors that take information about changes in the outside world.

Massage can be scientifically explained according to the Dale principle:
Dale Principle: The formulation of the experience that all ends of the axon of a neuron contain the same transmitter material, i.e., the synaptic connections of a single presynaptic neuron are either stimulators or inhibitors.

Specificity of the method
The dynamic flow of energy information through the power of the spoken word acts directly on the cerebral nerves, the neurons, thus creating the possibilities of neurophenomenology that promote healing and transformation in the body.

Egyptian Sacred Medicine-1



Egyptian Sacred Medicine


"When Shekmet's priestly hands were placed on the sick and the corresponding 'spells were healed,' they write on the scrolls.
                                                                                                                             
He's out strong - RA's eyes, He's Hathor.
Goddess of divine punishment, revenge, conquest and war.
She is the daughter of the day-Neser, the Flame “is written on the scrolls (heka Sekhem)
Guardian of Fire
For he is one of the most powerful gods of Netjer (The Most Ancient). His name is derived from the Egyptian word Sekhem, which means power or strength. The word Sekhem is literally inseparable from Sekhmet and his worship. Because of his power - he is often misunderstood and only painted in a negative way. Sekhmet is closely connected in the role of Uraeus as a fire-breather.

 Sekmet = Sirius





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 Naja haje

This painting symbolizes the power of the original snake. The snake finds its place in the human body in the spine. It rises along the spine through the nerve centers, but its most important feature is the carrier of spiritual energy, which rises like a branching cobra and activates Horus' eyes, the third eye between the two eyebrows
It is the pineal gland that elevates human self-consciousness from personality, emotional consciousness to oneness consciousness.

The roots of these procedures are to be found in mythology. Re, the sun god overcame the serpent Apophis, symbolizing darkness, ancient chaos, decay, and non-existence. The defeated were the ancient enemy, and every evil demon either came from or was associated with them.


          
 
 
 
 
Order out of chaos
            The primordial image of the enemy represented all evil, all trouble. The Egyptians used the same method with the same templates and images in destructive magic as in healing or repelling. In destructive - or black - magic, the name of the enemy to be defeated was written on his wax figure of Apophis or Seth, or on a figure drawn on papyrus. This is how the specific enemy was associated with the mythical archetype: the enemy of the sun god and Horus. In the same way, diseases, epidemics, tumors, poisons with demons were identified during the healing process. A vivid example of this conception is the illustration of a healing magic papyrus from Deir el-Medina, in which the disease appears as a bound enemy, stabbed with a spear by a deity reminiscent of Ammon. The template used by other cultures only in destructive magic was carried over by the Egyptians to almost every area of ​​life. And the main meaning of the idea of ​​"destroying the enemy" was to maintain or protect Maat, that is, the world order. The demons to be destroyed are the representatives of chaos on earth. The concept of the enemy often found in magical texts is the epitome of death, destruction, and chaos before and after creation in Egyptian thought. Therefore, defeating them is not black magic, but the service of order and life. When the wizard destroys the beings, during the rite he identifies with the sun god or Horus, and accordingly uses the forces that maintain world order for his own purposes. Fight and heal
One of the memories of Egyptian narrative literature, the so-called "Bentres stele" mentions a doctor who, so to speak, "came to the patient to fight the enemy." This remark sheds very light on what is at stake in ancient Egypt when we talk about medicine. The Egyptian formulation of healing is this passage. Healing is therefore a fight against an enemy force. Negative forces, demons are the causes of all trouble and disease, in fact: they are the embodiment of them. Accordingly, many diseases have been treated and classified as different demons. Eyes and ahu demons, often found in one of the Leiden papyri, presumably displayed two hitherto unknown types of epidemic disease. Since these mourners were not native Egyptian diseases but entered Egypt from the Middle East, the magical texts on one of his healings also call on Middle Eastern deities to help "defeat the enemy."
Also a mysterious disease is represented by the ness demon group on the Chester-Beatty papyrus. According to the text of the papyrus, the patient practices their habits and eats his arm. It must have been some kind of atrophy or inflammation. But it was not just the demons, that is, the representatives of the traditionally dark forces, who could be the opponents. The Egyptians also fought the gods. From the Chester-Beatty papyrus, we know of diseases that were sent to the people by gods. The document refers to a particular disease as the death of a particular deity, a term to be understood in terms of death sent by that particular god. Two goddesses, for example, were generally responsible for two very common troubles. One is the warrior, lion's headű Shekmet, who was the divine cause of the spread of the epidemics, especially the plague, the other Szelket, the mistress of scorpions, is responsible for scorpion bites and, indirectly, poisonings. In connection with Szelket, the well-known homeopathic magic appears, the principle of healing the like with the like: in one of the magic texts, the wizard-doctor forms a scorpion out of clay - to counterbalance the real one, who must be afraid of being bitten. Incidentally, this principle already appears in the person of the goddess herself, the mistress of scorpions, whose name was often written with a hieroglyph depicting a scorpion.

Sha Shekem SaHu

Sacred Medicine of the Egyptian Priesthood-

Sacred Medicine of the Egyptian Priesthood-

 
            

The Spiritual Bodies of the Ancient Egyptians

The ht, jrw, Khat, Sha and Shat:
In the Ancient Egyptian tradition the individual is seen as being composed of several different bodies or energies, each of which interact to some extent with the others. The first of these to be considered is the physical body itself. In life this was frequently referred to as the ht or the jrw meaning "form" or "appearance." This emphasizes the body as the physical form in which someone appears effective in life. After death, however, the body was referred to as the Khat, also known as the Sha or Shat, meaning that which is corruptible. Each of these terms, both for the living body and corpse, imply at once the body is both a receptacle for higher energies, yet is subject to the forces of impending aging and decay (Naydler 1996.188-189).

The Ka:
The Ka is perhaps one of the most difficult concepts to describe for there is no clear modern translation for this word. Essentially it appears to mean "double" as well as "vital force" and is a clear reference to a part of the individual that transcends the death of the physical body. Egyptologist Richard Wilkinson explains that "in all periods it is used as a term for the creative and sustaining power of life" (Wilkinson 1992.49). The Ka also came to be seen as a symbol of intellectual and spiritual power (Lurker 1980.73). As such, the essential meaning behind this concept is one of vitality and energy inherit in all living things. The hieroglyph for the Ka is two arms raised almost as if mirroring each other. This glyph, used as an amulet, was worn to preserve the life force of the wearer (Lurker 1980.73). Interestingly, after the physical body, it is the Ka that is closest to the physical world and is the essence of the self that absorbs the energy of the offerings left during ritual and at the tombs.
In mythology it is the ram-headed Neter Khnum who fashions the Ka of each individual. One text from Luxor shows the prince Amenhetep III on a potter's wheel with his Ka as Khnum creates these, while the Goddess Hwt-Hrw looks on bestowing life in the form of an Ankh on the young prince (Lurker 1980.74). John Anthony West states that the "Ka is the power that fixes and makes individual the animating spirit" (West 1985.64). In this context we can see that the Ka becomes the bridge between the spiritual self and the physical realm.
In examining the texts it quickly becomes clear that the Neteru themselves were felt to possess a Ka. Egyptologist Dimitri Meeks explains that the vital force that the ancients ascribed to the Ka acts in such a way as to give each Neter the ability to take creative form infinitely (Meeks 1996.71). Because of this ability, it was this essence, the energy of the Neter's Ka, which was felt to temporally inhabit statues and other magical images during ritual. Further this concept helps to explain how a Neter may express itself, making its presence felt in any number of places at the same time.

The Ba:
From the Ka we move on to the closely related doctrine of the Ba. Most Egyptologists refer to the Ba as being similar in meaning to the modern concept of the soul. However, this is an understatement. In fact, it is best understood as meaning "spiritual manifestation." In the earlier Egyptian texts the term Ba was used to signify the esoteric or hidden essence of the Neteru (Lurker 1980.31). In this respect it isn't uncommon to find one Neter as representing the spiritual manifestation of another. We see this in such examples as Ausir being perceived as a Ba of Ra, the Benu bird as a Ba of Ra, and the Apis Bull as the Ba of Ptah (Lurker 1980.31, Wilkinson 1992.99). In such cases these representations give us a clue into the deeper nature of the Neteru being discussed in the texts.
In relation to the human experience Richard Wilkinson explains that "the ba was a spiritual aspect of the human being which survived - or came into being - at death, and which was imbued with the fulness of a person's individuality" (Wilkinson 1992.99). In this regard the Ba of an individual is portrayed in Ancient Egyptian religion as having the head of a human and the body of a bird - usually a falcon. In practice it is this form, this spiritual body of the individual/magician, which travels between the different worlds or spiritual realms.
When considering the Ba in relation to ritual work it becomes obvious that the Ba of a Neter is its ability to manifest in a variety of forms. For example, it was believed that a Neter could appear as any number animals (Wilkinson 1992.99). Hence we see the association of a variety of animal forms to any particular deity. In this respect too we find that like the Ka, the Ba of a Neter can take form in and through the statue used in ceremony. So, in essence, during ceremony the Ka, being the creative - sustaining power of life and double of the Neter; and the Ba, as the spiritual manifestation of the Neter, merge as one within the statue. In the temple of Dendera we find a text which illustrate this ritual practice. In the "pure room" an image of Nut is carved in the ceiling along with representations of the twelve hours of the day. Here, at the appropriate ceremonial hour, the statue is revealed in order that, as the accompanying texts explain, the "ba-soul might unite with his image" (Meeks 1996.195).
In addition a reoccurring theme emerges in many of the ancient texts; the realization that, whether for the Neteru or the individual, the uniting of one's Ka with one's Ba are essential for the being's effectiveness (West 1985.64). For, as Egyptologist A. Lloyd explains "Essentially, the Ka is the individual's vitality, the Ba the capacity for movement and effectiveness" (Lloyd 1989.117-133). These two concepts, the Ka and the Ba, play the greatest role in our understanding of ritual work and the use of magical images.

The Akh, Khu and Sahu:
Before moving on to further discussion of ritual there are several other Ancient Egyptian concepts that will aid you as you develop in your practice. One is the Akh, sometimes referred to as the Khu. This term means "transfigured spirit," the "shining one" or "luminous one." Beyond the Ba this spiritual body is one's higher spiritual self, the immortal spirit or, as the Ancient Egyptians explained, that part of the person that is "imperishable" (West 1985.65). Egyptologist A. Lloyd explains that the Akh "differs in character from all the other entities as it represents the total person in a state of beautitude and power beyond the grave, i.e., nothing less than the deceased reconstituted and placed in all respects in a position where he can function according to the Egyptian concept of the blessed dead" (Lloyd 1989.117-133). From here the highest state being, known as Sahu to the Ancient Egyptians, may be attained. Sahu is, in essence, a union with the Neteru; a merging with the divine. This is the ultimate goal of the magician following the Ancient Egyptian path.

The Khaibit, Haidit and swt:
One of the more mysterious components of the individual is the Khaibit, Haidit, also the swt all three of which refer to the "shadow" or "hidden" self. Again, Dr. Lloyd explains this was the portion of the person "regarded as an essential part of the living person, [yet] most often connected with the dead." He continues by demonstrating that the shadow "has close affinities with the mummy and is why in temple depictions of the deceased you will find him [the shadow] usually in black (an upright individual darkened in color)" (Lloyd 1989.117-133). In New Kingdom tombs the Khaibit was often portrayed as leaving the tomb with the Ba of the individual. Interestingly this aspect of the self was seen as being protective in nature (Lurker 1980.110). The shadow would seem to correspond closely to modern conceptions of a ‘ghost.'

The Ren:
Finally we need to examine the concept of the Ren, a term which means "name." To the Egyptians naming a thing made it real, definable and part of the temporal world. To know the true name of a person, entity or Neter was to have power over it, for the name contained its owner's complete identity and being (Lurker 1980.83, Meeks 1996.97). For this reason each Neter had a secret name which embodied their power and individuality (Meeks 1996.97). This is clearly implied in the legend of Aset and Ra in which the goddess tricks Ra into revealing his real name to her in order that she may have power over him (Ions 1968.62). As a result we find that many of the "known" Neteru names are titles more than actual names. For example Hwt-Hrw translates as "House of Horus," Nebet Het translates as "Lady of the House," Aset as "throne" and so on. Each of these give us a clue into the nature of the deity being referenced, yet in themselves they are not names so much as titles. Unfortunately we may never know their true names. More than likely this was reserved for the very high priesthood.
The intense significance of names in Ancient Egyptian esoteric thought is further exemplified in the names of the Kings. From the Old Kingdom on the Pharaohs traditionally had five known names, as well as at least one secret name. The three most frequently known to the public were the Horus name, the Praenomen name and the Nomen name. The Horus name is that which equates the King as the Neter Heru. The Praenomen name was given at the king's ascension to the throne and follows the traditional title of Nisw-bity, meaning king of ‘duality' thus king of the ‘two lands' - upper and lower Egypt. The Nomen name is the king's birth name, and is the name which scholars use when referring to the various kings. The other two names that a king would possess are the Two-Ladies name and the Golden Horus name (Collier & Manley 1998.20). In the same respect initiates had both public or known names and at least one secret name. This secret name or Ren embodied the spiritual essence of the individual.
In relation to understanding the energies involved in the ritual use of the statues of the Neteru we find a connection here as well. Once again I would like to turn to Egyptologist Dr. Lloyd who explained that while the Ka was the Neter's vitality and the Ba was its ability to move and be effective it is the Ren which represented the entity's individuality in terms of physical appearance and personality (Lloyd 1989.117-133). It is a being's Ren that contains its uniqueness and distinction setting it apart from others while providing the means to express itself in the temporal world as an entity unto itself. In ritual the use of the various names during the invocations of a Neter are critical as they help to draw the essence of the Neter into the statue being used. Even though many, if not all, of the names may only be titles reflecting an aspect of the Neter's personality, the reality is that you are aiding the Neter's individuality to come through in order that it may express itself through the vehicle of the Ka, Ba and ultimately the statue as the ht - the Neter's body. Through these three vital factors the statue begins to take on a life of its own as a receptacle for the divine essence of the Neter to manifest in ceremony.

Papok és Papnők

PRIESTS AND PRIESTESSES

Those who spoke to the Gods and Goddesses were the Priests and Priestesses supposedly a carry-over from the time of Atlantis. They were the souls who carried the sacred knowledge about creation and the nature of our reality. There were initiates who studied the knowledge of both the sacred mystery teachings and the religious philosophies of the times. This sacred knowledge would be passed down in many forms including the genetics of certain souls. That information would one day be brought out into the open in its truest form. That time is NOW!
Because the Pharaoh could not perform ceremonies at all the temples throughout Egypt, he appointed high priests to carry out the sacred rituals at each temple. Priests often passed down their positions from father to son. They enjoyed great power and wealth in Egyptian society.
The priests' duties were to care for the gods and attend to their needs. They also performed funeral rites, teaching school, supervising the artists and works, and advising people on problems.
The priesthood of ancient Egypt has a far reaching and deep history, rooted within the traditions of Ancient Egypt. Unlike the orthodox priesthoods usually found within Western society, the role of the Egyptian priest or priestess was vastly different within the society as a whole. Rather than seek the divine and develop a rapport with the gods, the role of the priest was akin to an everyday job.
For, as the pharaoh was seen as a god himself, the priests and priestesses were seen as stand-in's for the pharaoh; as it was the greater job of the priests and priestesses to keep Egyptian society in good order, as is the case with most theoretically based societies. The mystical attributes of the priests and priestesses take on a secondary role, when one considers the heightened role religion played within Egyptian society. Not only was religion a way to attain the ethereal and basic needs of the Egyptians, but it also served as a mechanism to order society, to create a hierarchy, and to preserve the culture for future generations. As such, the role of the priests and priestesses was both functional and mystical on both levels.
A priest or priestess in ancient Egypt was generally chosen by either the king, or attained their post by hereditary means. In either case, the priests who received their positions hereditarily and through the king were not set apart from mundane life. In fact, such priests were made to embrace the mundane life to keep Egyptian society functioning properly (and as stated above it was a job of fairly high status). Though the priesthood had started out simply, with relatively few temples, in the later dynasties the temples expanded into the hundreds. With such growth, a large bureaucracy was needed to keep the temples in good standing; and thenceforth, the small priesthood's of the Egyptians grew from an estimated hundred priests into the thousands, and with it came a priestly hierarchy.
The daily life of a priest or priestess depended on their sex and also their hierarchical standing within the priesthood. Priests were often rotated from position to position within the priestly hierarchy and were integrated in and out of mundane society. This rotation system generally went, that a priest would enter into temple life one month, at three times a year. This rotation system had a direct connection to the often stringent purity rites of the priests.
Regardless of what status the priest was, there were numerous taboos and tradition's a priest had to or could not partake of. Of these taboos and traditions, a priest or priestess could not eat fish (a food thought to be ascribed to peasant life), could not wear wool (as nearly all animal products were unclean), were generally circumcised (only common among the male priests), and it was not uncommon for priests to bathe three or four times a day in "sacred" purificatory pools. It was also not uncommon for the "oracle" tending priests (one of the most sacred positions), to shave off all of their body hair, partially to get rid of lice, but partially for purificatory functions.
These "oracle" priests symbolically gave food to the statues of the gods, clothed the statues of the gods, sealed the temple chamber in the evening, and were known as stolists. As can be seen from the example of the stolists, the need for purity extended not only upon the mundane level, but also held true within the afterlife as well. Further, from such purificatory rites the priests were often times known as the "pure ones" regardless of status within the temples.
The priesthood was a civil function in ancient Egypt. Recruited from the local population, the priests served three months at a time then returned to their daily lives. A small core of superior priests, or adepts, served the temple full time. During the New Kingdom, every temple, no matter how small, had at least one resident priest. The function of a priest was to maintain the universal order as dictated by the Gods in the Zep Tepi, or the First Time, the original Golden Age of the High God. To this end, their primary function was to perform the rituals of the Divine Drama, the Great Myth, at the appropriate time and in the correct way. By involving a large portion of the local population in its services, the temple became the center of local culture.
The initiation, or installation, of a priest was essentially the same in all temples. A baptism in a sacred pool, symbolic of the waters of Nu, the Cosmic Ocean, washed away all evil. Then the candidate was sprinkled with oil and water as purification, led to the statue of the Goddess and instructed in the secret ways of touching and working with the statue. The candidate then undertakes a ten day fast, at the end of which the mysteries are revealed by some sort of psychic/shamanic experience.
Within the temple structure, there were classes of priests. The administrative officials in the large temples, such as Karnak, functioned as a separate group, one not too concerned with religious perspectives. They took care of the business end of the temple and its property. The religious establishment also had its classes. The temple of Amun had five different priestly sections, each with its own sub-divisions. The High Priest of Ptah at Memphis was called "the great chief of all artisans," as all crafts were under the protection of Ptah. These first and second "prophets," mis-translated by the Greeks from the Egyptian "servants of the God," were mostly royal appointments and could be chosen from any level of society. They led the higher ranks of the priesthood in the ritual functions of the temple.
In addition to the political administration, the priests and priestesses took on both magical and economic functions, however set apart from the hierarchy of priests are the lay magicians who supplied a commoners understanding of Egyptian religion. Through the use of magic and their connection to the gods, lay magicians provided a service to their community, usually consisting of counseling, magical arts, healing, and ceremony.
Lay magicians who served within this last and final caste of the Egyptian priesthood belonged to a large temple known simply as "The House of Life". Laymen would come to "The House of Life" to meet with a magician, priest or priestess to have their dreams interpreted, to supply magical spells and charms, to be healed and to counteract malevolent magic, and to supply incantations of various types. Though the House of Life provided it's Laymen with many prescriptive cures for common ills, it was largely shrouded in mystery in ancient times. In fact, the library of The House of Life was shrouded in great secrecy, as it contained many sacred rites, books, and secrets of the temple itself which were thought could harm the pharaoh, the priests, and all of Egypt itself.
Though the magicians of The House of Life, were seen as another step from the ceremonial duties of the priests, they were by no means less important, and as is evidenced by the presence of many magical wands, papyri text, and other archeological evidence, The House of Life took on a role direly important to the way of life of Ancient Egyptians.
One final position within the priesthood highly worthy of mention is that of the Scribes. The scribes were highly prized by both the pharaoh and the priesthood, so much so that in some of the pharaoh's tombs, the pharaoh himself is depicted as a scribe in pictographs. The scribes were in charge of writing magical texts, issuing royal decrees, keeping and recording the funerary rites (specifically within The Book of The Dead) and keeping records vital to the bureaucracy of Ancient Egypt. The scribes often spent years working on the craft of making hieroglyphics, and deserve mentioning within the priestly caste as it was considered the highest of honors to be a scribe in any Egyptian court or temple.
Finally, worthy of mention, though there is considerable historical evidence telling of the role of priests within the priestly hierarchy, the status of the priestesses was at times equal if not minor to that of the male priesthood. The female priestesses held the main function within the temple's of music and dancing. At Thebes, however, the chief-priestess of Amun bore the title of Œgodšs wifeš; she was the leader of the female music-makers who were regarded as the godšs harem and were identified with the goddess Hathor, who was associated with love and music. In the Twenty-third Dynasty and afterwards such priestesses were practically rulers of the theocracy, their duties centering around the reverence of Isis, and many other female and male goddesses and gods.

The hierarchy of priests consisted of a milieu of offices and duties. At the top of the hierarchy of priests was the high-priest, also known as the sem-priest, and as "the First Prophet of the God". The high-priest was often very wise in years, and old. Not only did he serve as political advisor to the pharaoh, but he was also a political leader for the temples he belonged to as well. The high-priest was in charge of over-seeing magical rites and ceremonies as well as advising the pharaoh. Maintaining a fairly ceremonial position, the high-priest was often times chosen by the pharaoh as an advisor, however, it was not uncommon for a high-priest to have climbed through the ranks to his official status.
Below the high-priest were a number of priests with many specialized duties. The specialization of these second tier priests ran from "horology" (keeping an accurate count of the hours through the days, extremely important during the time of the sunboat worshippers, but also for agricultural reasons as well), "astrology" (extremely important as well to the mythology of Egypt as well as to the architectural and calendrical systems of Egypt), to healing. As is obvious by the specialization of the priests, the cycles of the cosmos were extremely important, as they decided when crops would be planted, when the Nile would wax or wane, and further when the temple rites were to begin in the morning. The result of these Egyptian priests studies can be seen in both the mythological studies of Egypt, as well as within the agricultural practices, which rival even the modern Caesarian Calendar still used within the western world today.

The "kher heb", or the Lector Priest
These sacred scrolls are read out loud by the "kher heb", the lector priest, who is obliged to read them directly from the papyrus book held open in his hands. He has to recite them exactly as they are written, even if he has read them many, many times before, for making a mistake can offend the god. This was done at the official ceremonies and at the head of the processions, when the god was carried out before the people.

The "Hem netjer", or the High Priest
It was not regarded as important to spread teachings about the godĽs superiority, nor was it the hem netjer's task to see to the people's spiritual or moral welfare. His job was to take care of the god and the godĽs needs, to act as a servant of the god. By treating the god as an important citizen of Egypt, it was ensured that the god would live on and care for the people of Egypt. And the highest priest was Pharao, who acted as a servant to all the different gods, in all the different religious centra throughout the land. He appointed High Priests to act for him at the different temples, their number depending on the size of the temple and the cult's popularity. This appointment to High Priest was both a religious and a political one and sometimes it was held within a powerful family for several generations.

Female Servants of God
Women from noble families were accepted as "hemet netjers" already in the Old Kingdom. Usually they were attached to the goddesses. It's uncertain what work they really performed, more than being singers, dancers and musicians. At one occasion in the Third Intermediate Period there was a royal lady titled GodĽs Wife of Amen. She was served by female acolytes, lived in celibacy and adopted another royal lady to secure the successorship.

God's Father
The High Priest is also called the First Prophet and could in his turn delegate Second, Third and Fourth Prophets as deputies. The brother-in-law to Amenhotep III, Aanen, was for a long time Second Prophet of Amen at Karnak and High Priest of Re-Atum. Aanen's father Yuya was High Priest of Min at Akhim and also held the title of God's Father, which is believed to mean Father-in-law of the King. But "father of the god" was also used as titles for the priesthood directly below the First Prophet and these persons often held other important duties outside the temples. Yuya was therefore Master of the KingĽs Horses and Overseer of the Cattle of the temple of Min, besides being the High Priest of Min.

Temple Work and Purity
The priesthood was divided into four phyles, i.e. groups, and each phyle worked one month out of three. The servants of the god kept up their normal profession, whatever it was, for eight months of the year, and the remaining months were served at the temple.
When in the temple, ritual purity was of utmost importance. Each temple had its own lake where the priests purified themselvs and the ritual vessels that were used in ceremonies, and from where water was taken for the libation offerings. Priests could only wear white linen and sandals made from papyrus, all animal products were considered unclean. The priest who held the leading role in a procession or other ceremony, used the cheetah- or leopard skin robe draped across his back. But that one might also have been an imitation.
During temple duty, a priest had to shave off all his bodily hair, even the eye brows and was expected to abstain from sexual activity. Outside of temple duty, they could marry, raise families and live normal lifes.

Services and Rituals
The god, in the form of a statue, was seated in a shrine, a so called naos, which was built of satone or wood and kept in the innermost chamber of the temple. The statue could be made of stone, gold or gilded wood, inlaid with semi-precious stones and it was not always lifesized. It was not regarded as an idol, but as the receptacle of the deityĽs ka. Three times a day, if not more, rituals were performed at the shrine. At dawn the temple singers awoke the god by singing the Morning Hymn. And after having purified himself, the priest conducting the Morning Service, broke the seal and drew back the bolts that had been tied last night, and the doors to the god was opened. Now the god received the same purification process as the priests already had undergone. Incense was burned and the god was dressed, perfumed and had cosmetics put on, in the same way as the King would have been prepared for the day.

The Offerings
Then food and drink was put before the god. This was a display of the best that could be found; joints of meat, roasted fowl, bread, fruits, vegetables, beer, wine, and everything in large quantities, out of the templeĽs own kitchens, gardens and farms, and of superior quality. The meat came from animals that had been slaughtered out of the sight of the god, and overseen by a priest who had ensured it was fit to put before the god.No blood or unsightly scenes were allowed before the god.
The offerings always included flowers, bound in garlands and in large temples there were gardens with gardeners and florists to ensure the supply and prepare the offerings.
Over these offerings the priest poured libations of water, and in a spoon-like saucer, shaped like a forearm with an open palm holding a small pot, incense was burned. Incense was considered the "Perfume of the gods" and as the intention was to stimulate all the senses of the gods, it played an important part in the rituals. Food and drink meant taste, music and singing meant sound, and flowers were added to make the offering beautiful and presentable. So while the god's ka was believed to be absorbing these offerings, musicians, singers and dancers enteratined him. The text of the hymns was simple, with many repetitions of the godĽs attributes and names, and the music could be rattling of the sistrum or menat, percussion, and for special occasions, harp, flute, drums and cymbals.

Temple Organization
The larger temple centres were like veritable cities and employed all kinds of workers. There were temple bakeries and breweries, and some temples had a fleet of boats and fishermen, hunters and stables with donkeys, there were farms or tenants of land. The produce arrived daily to fill the godĽs storehouses and everything was recorded and kept in books by the temple scribes. On top of that the temple employed craftsmen like stonemasons, painters, carpenters, weavers, scribes and administrators, not to mention the priests. It was a huge organisation and as an example there is Karnak, with a list of more than 81.000 employees!

Wages
During the time of service in the temple, any employee enjoyed a higher standard than normally. The god's wealth was for all to share, depending of status and type of work. So large, well functioning centras usually held large properties of land, the workers, stone masons, farmers etc. kept their families there too, which enlarged the population, and ensured there were all these extra kinds of needs and doings to keep women and children fed and clothed. A large religious temple complex was bested in riches only by the Royal House.

Festivals and Processions
The temples celebrated regular festive days, the First of the Month and the New Moon. The godĽs statue was then paraded around the temple grounds, and at certain places the procession stopped for offerings. These "restingplaces" of the god usually had something in common with the particular festival.
Then there were the larger religious festivals where the god was carried outside the temple precinct in front of the people. As they were not allowed inside the temple, this was a popular occasion, the god carried on his bark, although veiled from the direct look of the commoner, and the sacred books carried on the shoulders of a priest walking in front of the procession. Priests fanned and sheltered the god from the sun with ostrich plumes or fans made from palm fibre. Incense was burned and offerings were made at the resting places along the route. Some of these were permanent little temples, others were erected just for the event. Here, the bark was set down on an "altar" while the rituals were performed. At some occasions the bark was put on the godĽs own bargue from the temple quai and was towed further along the Nile, escorted by a flotilla of boats, sometimes even the royal family was present to watch. These were great occasions, in which everybody took part and they usually lasted for several days, when eating and drinking was abundant.
Festivals could also be shared between two temples, like the commemoration of the Sacred marriage of Hathor and Horus at Denderah. All these celebrations had to be held at the right time and day and it was the task of the temple star watcher to keep track of the religious calendars.
- The Temple Pages